

Gergiev and Netrebko: Icons of a Weaponized Culture
Gergiev and Netrebko are not being “canceled” for their Russian identity. They are being criticized for actively and repeatedly promoting an authoritarian state’s violence, lies, and territorial aggression. In the arts, platforming is power. A podium is not neutral ground—it is a place of influence, a place where narratives are validated, history is shaped, and moral legitimacy is either reinforced or revoked.
Katie A. Berglof


Emergency Resource Guide for Classical Musicians in Financial Need
Whether it's the high cost of education, performance-related expenses, or the instability of gig work, classical musicians often face unique obstacles. If you’re in a dire situation and need immediate help with money, food, housing, or other basic needs, here are tailored resources and strategies to support you during tough times.
Katie A. Berglof


A Guide for Classical Musicians Facing Online Threats, Harassment, and Cyberbullying
Whether you're receiving threatening messages, being doxxed, impersonated, or targeted by smear campaigns, it's important to know your rights, what actions you can take, and how to protect yourself. Whether you're a student, freelancer, full-time performer, arts administrator, music professor, or a parent of a music student....knowing your rights and taking proactive steps can help you stay safe and hold abusers accountable.
Katie A. Berglof


An Early History of Exploitation in Ballet, Opera, Theatre, and Orchestras
Why did ballet’s sexual exploitation become spectacle in the 19th century while orchestras cloaked theirs in velvet hush? Because the world tolerates violence against women when it comes with music and pearls. Because we only call it a scandal when it breaks the illusion. Ballet was a performance of femininity. So when the abuse happened, it was expected. Or worse, admired. Orchestras, on the other hand, carried the banner of refinement. So when the abuse happened, it was unt
Katie A. Berglof


From Podium to Propagandist: Gergiev’s Role in Putin’s Empire
For too long, Western institutions, particularly in the classical music world, have hidden behind the notion that “art is above politics.” But art is never above politics when it is used as a tool of nationalism, repression, or propaganda. Valery Gergiev has been a willing participant in that machinery.
Katie A. Berglof